Kath Nelson.
Terry Nelson.
Tom Nelson.
Helen Henderson.
Ross Henderson.
Teresa Tuohy.
Richard Dade (Guest).
Karen MaClure (Guest).
Patricia Hourd (Guest).
Our thanks to our guests Richard, Karen and Patricia who spent many
hours travelling to be with us this evening; their energies were
amazing, and combined with ours, Spirit had what they required to give
us another wonderful evening filled with Love, laughter and just as
important, undeniable proof of their continual existence.
Apart
from direct voice from Mary (Kath’s Mum in Spirit) and Lucy (Spirit
child) all other communication this evening was via the table.
The circle was opened this evening with a Prayer by Teresa - as the
Prayer was been said the table was up and over to our three guests in
turn to welcome them. As the table moved back to the centre of the
circle our Gatekeeper and friend Red Cloud came forward to communicate -
“Good evening Red Cloud, welcome.” say sitters.
Red Cloud lifted
the table up off the floor by about three feet, up, down, up, down,
wafting us with a lovely breeze. As the table drops gently back to the
floor Red Cloud says “Welcome everyone, energies excellent.” Red Cloud
continued “Richard, we would be honoured to help your circle, via Terry.
Later you will be given your Gatekeeper’s name.” “Do you mean
tonight?” asks Kath. “Yes.” says Red Cloud.
Red Cloud then says “I have sent healing to Amanda.” (Amanda is a
friend of guest sitter Patricia). Moments later Red Cloud asks for the
drum and says “This is for our missing guest (Geraldine).” “Thank you.”
say sitters.
The red light is put on and the shamanic drum and
beater are brought in and placed on the table by Teresa, and as the
light goes off the drum and beater are immediately lifted up from the
table by Red Cloud.
As Red Cloud begins to beat the drum it turns on its side and raises up and over sitters heads until it is out of the circle. The drum and beater then drop gently to the floor behind Kath; still being beaten by Red Cloud the drum then lifts back up and over Helen’s head and over to Patricia, where it rests on her hand over the table.
As Red Cloud begins to beat the drum it turns on its side and raises up and over sitters heads until it is out of the circle. The drum and beater then drop gently to the floor behind Kath; still being beaten by Red Cloud the drum then lifts back up and over Helen’s head and over to Patricia, where it rests on her hand over the table.
From Patricia the drum moves across to Richard and rests
on his fingers as Red Cloud continues with his rhythmic beat. Red Cloud
is now tapping fingers of sitters as well as the drum. Moments later
the beating becomes louder and faster until finally, Red Cloud gives his
usual ‘da da da da da…da da’ on the drum to signify that he has
finished [laughter].
Red Cloud places the beater on the drum on the table, and we are then allowed to put on the red light and photograph the drum before it is taken from the table.
“Enjoy.” says Red Cloud as the light is put off - “We will, thank you.” say sitters as Red Cloud leaves us.
Red Cloud places the beater on the drum on the table, and we are then allowed to put on the red light and photograph the drum before it is taken from the table.
“Enjoy.” says Red Cloud as the light is put off - “We will, thank you.” say sitters as Red Cloud leaves us.
As our next communicator ‘Dick’ comes to the table, he lifts the
table up in the air as Red Cloud did, but instead of dropping it back
down he communicated whilst it levitated two feet off the floor -
“Hello.” says Dick. “Hello Dick.” says sitters.
As the table drops gently to the floor we hear a slapping sound - “Is that you? Oh thank you.” says Karen as Dick gently slaps her on the back.
As the table drops gently to the floor we hear a slapping sound - “Is that you? Oh thank you.” says Karen as Dick gently slaps her on the back.
“Is Mum
(Mary) here?” asks Kath as Dick requests the megaphones (large trumpets)
- “Yes.” says Dick. The light is put on and the trumpets are placed on
the now rocking table. As the light goes off Dick wastes no time, the
trumpets are up in the air, first over to Helen and then over to
Patricia. Patricia’s hand is put inside one of the trumpets; the other
trumpet goes over to Richard and his hand is also put inside. Both
sitters then tell us of the strong grip on the outside of the trumpets
holding their hands as they are pulled over the table. Richard tells us
that the hairs on his arms are being pulled [laughter]. Patricia tells
us that she has been poked on the shoulder by Dick [more laughter].
The light is put on for us to photograph Richard and Patricia’s hands
inside the trumpets; we find that Richard’s arm with the trumpet
attached has been guided over to Karen, and that that the trumpet on
Patricia’s arm has been bent over on the end and is directly in front of
Helen’s face [laughter]. The table rocks rapidly as the photos are
been taken, it then slows down to a gentle rhythm as the light goes off
again.
We can now hear Dick doing something with the trumpets that are
still attached to Richard and Patricia, one sitter says that it sounds
like sweet wrappers being opened. Richard and Patricia are then pulled
from their chairs by Dick, at the same time Karen tells us that the
trumpets are going over her head. We put on the light again to find
that Dick has stuck the end of one trumpet inside the end of the other
and has placed them both over Karen’s head (still attached to Richard
and Patricia‘s arms) and it looks very much like Karen is being hugged
by them.
We take the photos and then put off the light, as we do
so Richard and Patricia are guided back to their seats by Dick. Moments
later we hear a noise down the trumpet on Richard’s arm - Richard
believes that it is just air being blown down the trumpet, but when it
is repeated we hear a female voice (we assume to be Mary’s) saying
‘Hello’ down the trumpet. Patricia had sat down, but Richard was still
stood up near his seat, we then see the trumpet lift off his arm and tap
him (as if to say ‘sit down’) [laughter].
Both trumpets are now
off sitters arms and are up in the air above us, one stays in the circle
just above our heads and the other goes out of the circle over Helen’s
head. As the trumpet in the circle does intricate movements in the air,
the one on the outside about six feet away, begins to mimic it;
creating a ‘mirror image’ effect. Moments later both trumpets are out
of the circle, one is brushing against the door whilst the other is
brushing against the wall.
Seconds later both trumpets are back in the circle and over the
table tapping sitters hands, they then begin to tap each other for a few
seconds before lifting up and giving us the ‘gyro’ effect , whereby
they spin round in circles, intertwining with each other as they do so.
They do this action very fast, first clock-wise and then
anti-clock-wise, never once do the trumpets touch each other as they
spin, and all in darkness.
As the gyro effect stops, one trumpet
is put inside the other by Dick (we assume) and as the trumpets hover
over the table we hear a female voice say “Hello.” down the trumpets -
“Hello.” say sitters. Seconds later we hear the same female voice say
“Nice people (meaning Richard, Karen and Patricia).” down the trumpets -
I (Terry) repeat ‘Nice people’ to make sure that this is what was said -
“Yes.” comes the reply down the trumpet (same female voice that we
assume to be Mary).
“Thank you.” say our guests. “Is this Mary?”
I ask. “Yes.” is the reply with a nod of the trumpet. “Hello Mary.”
say I. We can now hear a lot of shuffling about with what we assume to
be the trumpets, described as a ‘scrunching’ sound by one sitter. Karen
then tells us that her hand has been taken hold of and moved to one
side - “Oh thank you, I can feel that friend.” says Karen as Spirit do
something to her hand. Kath then tells us that something is now on her
head.
We put on the light to find that Karen’s hand is inside the
scrunched up trumpet, and that it has been placed on Kath’s head and
across and down Helen’s back (inside her T shirt) by Dick [laughter].
Photos are taken and again the table rocks rapidly whilst the light is
on. Within seconds of the above happening, both trumpets are back on
the table, then Richard tells us that his finger has been put in the
thin end of one of the trumpets.
Patricia tells us that the
other trumpet has been put on her arm, and Teresa tells us that her arm
is inside a trumpet - we put on the light once again [laughter] to find
Richard’s finger stuck up the end of the trumpet with Teresa’s arm in
the other end; laid across this trumpet is the trumpet with Patricia’s
arm inside.
Photos are taken and then the light is put off -
“Well done Dick and Mary.” says Helen as the trumpets are taken off the
sitters. Moments later we hear the spare table stirring behind Kath and
Karen, suddenly, up it comes, in between Kath and Karen, turning
upside-down as it does so, and settling down on top of the circle table.
As the spare table moves across the circle table a trumpet falls to
the floor. I pick it up and ask if Dick wants it back - no answer, just
a hand grabbing the trumpet from me [laughter].
Both tables now rise up in the air, one on top of the other with a
trumpet on top as they rise up towards the ceiling. The tables drop
gently to the floor, then Richard and Teresa’s hands are grabbed and
placed on top of the spare table’s legs - the tables then rise up
again with Richard and Teresa’s hands still on the top - it seems that
no amount of weight on the tables will stop them rising, such is the
energy that Spirit have.
As the tables drop gently back to the
floor again, Richard and Teresa’s hands are removed from the top table’s
legs and then the tables move across the floor towards Kath. The
tables then tilt sideways from Kath over to Richard and myself, only
stopping when they reach a near horizontal position between us. The
light is put on and photos are taken of the tilted tables, and as the
light goes of the tables rise back up.
Moments later the top
table slides off the bottom table and comes to rest on Helen’s lap.
Dick then communicates ‘Drumsticks’ through the circle table - the two
small drumsticks are brought in by me and placed on the circle table.
The sticks are now seen to rise up from the table and as one touches
Tom, the other one touches Richard.
The drumsticks now tap out a
tune on the table top, it is the ‘Conga’ [laughter] and this goes on for
a few seconds. Then we see the two drumsticks inches above the
table-top hitting each other (like looking at a swordfight). Dick then
asks for my hand, and I put it over the table, Dick places one drumstick
in my hand and then as Dick holds the other we begin to swordfight
together inches above the table [laughter].
The stick is then taken out of my hand and put into Richard’s hand
by Dick - Richard is now sword fighting with Dick - from Richard over to
Teresa with the stick, and again we see sword fighting with Teresa as
Dick’s opponent [more laughter]. The drumstick is taken from Teresa’s
hand and is now hovering just above the table - I then say to Dick
“Don’t be using me as a dartboard.” as the stick looks like it is going
to be launched my way - sure enough, seconds later, Dick throws one
drumstick my way [laughter], then the other comes flying my way, both
passing over my shoulder.
“Oh no you don’t!” says Kath to Dick.
“What’s he (Dick) doing?” I ask. “He’s picked the table up.” says Kath
(as Dick had thrown the sticks my way and missed, he was now pretending
that he was going to throw the table my way also) [laughter from Dick on
table]. The spare table is now up in the air again; it turns the right
way up and the legs land on the circle table-top. The spare table then
begins to rock from leg to leg whilst on the circle table - we are
allowed the light on to watch as the top table dances around on the
circle table.
After a few moments of dancing, the spare table
lifts of the circle table and goes out of the circle between Kath and
Karen, back to its original location on the floor. The circle table now
rises up and does a couple of twists and turns before finally dropping
back to the floor - “Bye.” says Dick. “God Bless, bye Mum.” says Kath
as Dick and Mary leave us.
Our next communicator to the table gives us the name ‘Charles’ and
when asked if he had come to see anyone in particular in the circle,
Charles took the table over to guest sitter Patricia - “It’s with me.”
says Patricia as the table lands on her lap. “Can you take Charles?”
asks Kath. “I can, yes.” says Patricia. As the table gives Patricia a
cuddle Patricia says “Thank you very much, I know who you are, a cuddle
back, thank you for visiting.” As the table slides off Patricia’s lap
and comes to rest back on the floor I ask “Is there anything you would
like to say Charles?”
Charles says ‘Yes’ and then asks for paper -
“Paper and pencil?” I ask. “Yes.” says Charles. The light is put on
and paper and pencil are placed on the table by me, the paper is check
on both sides and then the light is put off again. What happened next
amazes us each and every time we witness it - the pencil is picked up by
Charles and we sit and watch as he writes in the darkness, all we see
is the luminous tab on the pencil stem as it moves around on the paper,
but as the pencil is put down on the paper we are allowed the red light
to see what has been written on it - these were Charles’ words: “I am
glad you came tonight, I will be joining your circle, Bless you,
Charles.” “Oh lovely, well, we will be looking forward to that.” says
Patricia.
Charles then says “I am honoured to be asked to be a
guide in your circle.” “Well you will be very welcome in our circle.”
says Patricia. Kath then asks Charles “Are you going to be their
Gatekeeper?” “No.” says Charles. Charles then asks “Can I try rope
(skipping rope)?” “Just one?” I ask. “Yes.” says Charles. I then tell
Charles that he is very welcome to try with the rope, I then ask if he
would like the plastic skipping rope which has a counter to record each
spin on it. “Yes.” says Charles.
The light is put on and the plastic skipping rope is put on the
table, I set the counter back to nought and then the light is put off
again. No sooner do we put off the light when, up goes the rope,
spinning round in circles above us. Moments later Charles takes the
rope out of the circle behind Helen and Kath, it is still spinning, but
the circle is getting bigger and bigger; the luminous tabs on the rope
handles creating a wheel of light.
The rope comes back into the
circle and is now spinning very fast just above our heads - Karen now
tells us that one end of the skipping rope has been put round her neck -
at the same time she tells us that the clip in her hair has been taken
out. Helen tells us that the hair clip has been put in her hair. With
one end of the rope round Karen’s neck, Charles spins the other end very
fast within the circle of sitters.
Karen begins to laugh and
tells us that she is now being tickled. Moments later the rope is taken
from around her neck and it travels across the circle to Patricia,
Charles then ties the rope to Patricia’s wrist - “Unbelievable!” says
Richard. Richard’s hand is then pulled over the table by Charles and is
tied with the other end of the rope.
Although both Richard and
Patricia are tied with the rope, the handles are still free and one
handle now spins very fast - it creates a two foot wheel of light as it
spins, and as it gets closer and closer to Richard he tells us that the
rope handle is that close to his arm that he can feel the breeze from it
on his arm - all done in near pitch black conditions, but never once
touching us sitters with the spinning ropes.
The light is put on
and we photograph Richard and Patricia who are still tied together with
the skipping rope - Richard asks how many spins have been counted on the
rope handle - the counter reads sixty six, but this is not a true
reading as when the handles are being spun from the centre of the rope
the counter does not register a spin.
The light is put off and the rope is instantly taken from Richard and
Patricia’s wrists - we don’t know how they do it so fast, but they do. Kath then asks Charles “Were you showing them (Richard, Karen and
Patricia) what they can achieve (in their own circle)?” “Yes.” says
Charles. “And will you be the ‘rope’ man?” asks Kath. “Yes.” says
Charles. The rope is then thrown into my lap by Charles - “Bye.” says
Charles. “God Bless, bye.” say sitters.
As Charles is leaving us Karen says “Are you going to give me my hairclip back?” “Where is it?” asks Kath. “It’s here, in my hair where Charles put it, yes, you can have it back.” says Helen [laughter]. The table then communicates “Not yet (don‘t give the hairclip back yet).” “Is this still Charles?” asks Kath. “No.” is the reply from the table.
I ask our new communicator for a name and get the letter ‘L’ - “Is this a boy?” I ask. “Yes.” is the reply. “Is it young Luke?” I ask. “Yes.” says Luke. We welcome Luke to the table, then Luke says “Ladies…new Aunties!” “Bless you.” says Helen. “Hello Luke.” says Karen [laughter]. “That’s not an Aunty…it’s an Uncle.” says Kath as Luke takes the table across to Richard - I then say “She (Kath) didn’t give you a chance to say that did she Luke?” “No.” says Luke [laughter].
I ask Luke if he has anything else to say, and he spells out the letters ‘Ki…’ I interrupt with “Is that Kites?” “Yes.” says Luke. We also have a small toy American school bus that Luke usually wants along with the kites so Kath asks “Do you want your bus?” “Yes.” says Luke. Kath then explains to our guests why Luke normally asks for the bus along with the kites - [We place the bus on top of the kites on the table and Luke flicks the kites up, this in turn flips the bus over onto its roof where there is a little button - when this button hit’s the table the bus’s tail lights begin to flash red and music plays from within the bus].
We put on the light and bring in the full sized kites and place them on the table, the bus is then placed on top of the kites. Sure enough, moments later when the light is put off, Luke flicks the kites and the bus flies up in the air and back down to the table - the whole area surrounding the table then lights up red from the flashing tail lights from the bus. Luke then rocks the table in tune with the music being played from the bus [laughter].
“Well done Luke.” say sitters as the bus now falls to the floor as he lifts the kites up from the table.
Both kites are now up in the air above us, one hovers above the table whilst the other one flies out of the circle over Helen’s head. The one hovering over our heads begins to fan us from above - creating a much needed breeze in the warm room. Tom now tells us that his hand has been tapped by Luke, then he tells us that the kite has now been put over his shoulder. Luke then squeezes Tom’s hand and ties the string from the kite to Tom’s wrist. Tom is then pulled over the table as the kite moves across to Helen - then Karen, Kath and Helen tell us that their hands have been taken and tied with string.
We put on the red light to find Tom, Karen, Kath and Helen all tied up by their wrists with the string, and the kite resting over Helen’s shoulder [laughter]. Photos are taken by me (Terry) as Tom cannot reach the camera, and then the light is put off again. Almost instantly…all sitters are free from the string?
Richard now tells us that his hand has been tapped, then grabbed and turned over on the table - “Oh, thank you Luke, he (Luke) has just put something in my hand.” says Richard. “May we look?” I ask. “No (not yet).” says Luke. Moments later Patricia says “Oh, now he (Luke) has grabbed my hand, now he’s putting something in mine.” “Can we look now?” I ask. “Yes.” says Luke.
We put on the light to find that Luke has apported ‘Angel’ cards into Richard and Patricia’s hands - Richard’s card reads: ‘The world is a better place because of your presence in it’, and Patricia’s card reads: ‘You can choose your attitude’. “How lovely.” says Helen. “Thank you very much Luke.” says Patricia.
Luke then communicates through the table “Pe…” again I interrupt with “Pencil and paper?” “Yes.” says Luke. The light is put on and the pencil and A4 paper are brought in by me and placed on the table, as usual sitters check both sides of paper to show that there is nothing already written on it. The light is put off and we sit and watch as the glowing pencil lifts up off the table and begins to write on the paper.
Thirty seconds later Luke puts the pencil down on the paper - “May we look?” I ask. “Yes.” says Luke. Written on the paper was this message for Richard, Karen and Patricia: ‘Princess Snowbird will be your Gatekeeper’. “Princess Snowbird, that’s beautiful.” says Kath. “Thank you.” say sitters. Moments later young Luke says ‘Bye’, “Bye Luke, God Bless.” say sitters as he leaves us.
Our next communicator to the table is young Lucy - “Good evening Lucy.” say sitters - “Hello.” says Lucy. Lucy wastes no time, straight away she asks for the keyboard. The light is put on and the keyboard is brought in and placed on the table, then the light is put off again. Lucy immediately picks up the keyboard and takes it over to Ross and seats it on his hands that are resting over the table. Lucy plays a couple of odd notes then presses a pre-set button and we hear ‘Old Macdonald’, as we sing along to this Lucy takes the keyboard from Ross’ hand and we watch as it flies out of the circle above and over Helen’s head.
Seconds later the keyboard is back in the circle and over onto Karen’s head (still being played by Lucy). The tune now changes to ‘Oh Susanna’ and as the keyboard begins to sway in the air above us, the table rocks in tune with the music being played. The keyboard is now over and onto Patricia’s knee, then over onto my hand which is resting on the table, all the while still being played by Lucy. Lucy then begins to play singular notes with the symbols and drum feature on the keyboard, this creates a ‘rappin’ sound which Lucy seems to favour.
Moments later the keyboard is pushed over to me, in a way that signifies that Lucy has had enough and wishes me to remove it. I take the keyboard from the table, and as I do so Lucy communicates “Ba…” “Balloons?” I ask. “Yes.” says Lucy. Ross leans over and brings in the two balloons that are on the floor behind him. The balloons are placed on the table as best Ross can because they are quite big. Lucy immediately picks up one of the balloons and begins to play around with it - “Thanks Lucy.” says Helen as Lucy takes the balloon over to her.
Helen has a fear of the balloon bursting in her vicinity, and there is laughter now as Lucy playfully teases Helen with the balloon - Lucy twangs the elastic on the balloon, this makes a sound as if the balloon is going to burst, but it doesn’t [laughter]. Moments later the balloon is on the floor and Lucy is picking the circle table up and placing it on top of the balloon - the table is now straddling the balloon and Lucy is bouncing the table up and down on top of it, just like you would with a ‘space hopper’.
We put on the light to photograph this and as the photo is being taken the table is still bouncing up and down - the light having no effect on the energies required for Lucy to do this. The table bounces faster and faster on top of the balloon, we are allowed to witness this for quite a while before the light has to be put off (due to energies waning).
Moments after the light is put off Lucy picks the table up and takes it over to Helen - within seconds the table is over Helen’s head and she is inside the legs. Helen then tells us that the hairclip taken from Karen and put in her hair, is now being taken out again - Karen then tells us that Lucy has passed the hairclip back to her. “Thank you Lucy.” says Karen.
“Don’t you dare! You little madam!” says Helen jokingly as Lucy now picks up the balloon and squashes it inside the table legs behind Helen’s head [laughter]. “Oh please Lucy, be nice, play nicely.” says Helen as Lucy bashes the balloon behind Her [laughter]. Helen bursts into laughter as we put on the light to find her tightly squeezed inside the table with the balloon as a cushion behind her.
Photographs are taken and the light is put off - “This is to get you over your fear (of balloons) Helen.” says Kath. “Well, it’s not working.” says Helen jokingly [laughter].
Lucy takes the balloon and table away from Helen - “Well done sweetheart.” says Helen. Moments later Lucy communicates “Six trumpets.” “All six?” I ask. “Yes.” says Lucy. “I’ve seen my Dad (Dick) do six, but never Lucy.” says Kath.
The light is put on, but only five trumpets can be found - “Will five do Lucy?” I ask. “Yes.” says Lucy. As the light goes off Lucy picks up the trumpets one by one until she has all five up in the air above us - the trumpets then separate and as three hover above us, two fly out of the circle behind Helen. We then see the ‘mirror image’ effect again as the two trumpets on the outer copy the three trumpets hovering above us. I may be describing all this so ‘matter-of-factly’, but believe me this blows our minds every time we witness it.
All five trumpets are now back in the circle just above us - Lucy then puts the trumpets inside of each other until we have one extra large trumpet made up of the five smaller ones. Lucy then takes them right up to the ceiling, hovers there for a couple of seconds, then flicks the extra large trumpet until the inner ones fly out of the circle between Ross and myself. Lucy, now down to two trumpets, one inside the other, blows kisses down these last two - then we hear ‘bye’ clearly down the trumpets.
We think that Lucy is leaving us, but no, Lucy then communicates through the table “Hoops.” “The little ones (six inch diameter)?” I ask. “Yes.” says Lucy. Down to one trumpet now, Lucy places it over Richard’s hand that is resting on the table, she then puts the hoops that have been brought in, over the other end of the trumpet that is on Richard’s hand and then spins them round on it. Lucy then throws the hoops out of the circle one by one - they whiz past my head in the darkness. Lucy then blows kisses down the trumpet on Richard’s arm (audible to all) “Oh thank you.” says Richard.
Lucy takes the trumpet from Richard’s arm and throws it out of the circle - “Bye.” says Lucy. “Bye.” says sitters.
We welcome Red Cloud back to the circle - having sat now for nearly one hour and twenty minutes with non-stop phenomena and communication from the Spirit world, Red Cloud asks us to close the circle.
We are allowed one question each if we wish, but all sitters just give thanks for an incredible evening with our Spirit friends.
The circle is closed with a Prayer by Kath.
Terry Nelson.
As Charles is leaving us Karen says “Are you going to give me my hairclip back?” “Where is it?” asks Kath. “It’s here, in my hair where Charles put it, yes, you can have it back.” says Helen [laughter]. The table then communicates “Not yet (don‘t give the hairclip back yet).” “Is this still Charles?” asks Kath. “No.” is the reply from the table.
I ask our new communicator for a name and get the letter ‘L’ - “Is this a boy?” I ask. “Yes.” is the reply. “Is it young Luke?” I ask. “Yes.” says Luke. We welcome Luke to the table, then Luke says “Ladies…new Aunties!” “Bless you.” says Helen. “Hello Luke.” says Karen [laughter]. “That’s not an Aunty…it’s an Uncle.” says Kath as Luke takes the table across to Richard - I then say “She (Kath) didn’t give you a chance to say that did she Luke?” “No.” says Luke [laughter].
I ask Luke if he has anything else to say, and he spells out the letters ‘Ki…’ I interrupt with “Is that Kites?” “Yes.” says Luke. We also have a small toy American school bus that Luke usually wants along with the kites so Kath asks “Do you want your bus?” “Yes.” says Luke. Kath then explains to our guests why Luke normally asks for the bus along with the kites - [We place the bus on top of the kites on the table and Luke flicks the kites up, this in turn flips the bus over onto its roof where there is a little button - when this button hit’s the table the bus’s tail lights begin to flash red and music plays from within the bus].
We put on the light and bring in the full sized kites and place them on the table, the bus is then placed on top of the kites. Sure enough, moments later when the light is put off, Luke flicks the kites and the bus flies up in the air and back down to the table - the whole area surrounding the table then lights up red from the flashing tail lights from the bus. Luke then rocks the table in tune with the music being played from the bus [laughter].
“Well done Luke.” say sitters as the bus now falls to the floor as he lifts the kites up from the table.
Both kites are now up in the air above us, one hovers above the table whilst the other one flies out of the circle over Helen’s head. The one hovering over our heads begins to fan us from above - creating a much needed breeze in the warm room. Tom now tells us that his hand has been tapped by Luke, then he tells us that the kite has now been put over his shoulder. Luke then squeezes Tom’s hand and ties the string from the kite to Tom’s wrist. Tom is then pulled over the table as the kite moves across to Helen - then Karen, Kath and Helen tell us that their hands have been taken and tied with string.
We put on the red light to find Tom, Karen, Kath and Helen all tied up by their wrists with the string, and the kite resting over Helen’s shoulder [laughter]. Photos are taken by me (Terry) as Tom cannot reach the camera, and then the light is put off again. Almost instantly…all sitters are free from the string?
Richard now tells us that his hand has been tapped, then grabbed and turned over on the table - “Oh, thank you Luke, he (Luke) has just put something in my hand.” says Richard. “May we look?” I ask. “No (not yet).” says Luke. Moments later Patricia says “Oh, now he (Luke) has grabbed my hand, now he’s putting something in mine.” “Can we look now?” I ask. “Yes.” says Luke.
We put on the light to find that Luke has apported ‘Angel’ cards into Richard and Patricia’s hands - Richard’s card reads: ‘The world is a better place because of your presence in it’, and Patricia’s card reads: ‘You can choose your attitude’. “How lovely.” says Helen. “Thank you very much Luke.” says Patricia.
Luke then communicates through the table “Pe…” again I interrupt with “Pencil and paper?” “Yes.” says Luke. The light is put on and the pencil and A4 paper are brought in by me and placed on the table, as usual sitters check both sides of paper to show that there is nothing already written on it. The light is put off and we sit and watch as the glowing pencil lifts up off the table and begins to write on the paper.
Thirty seconds later Luke puts the pencil down on the paper - “May we look?” I ask. “Yes.” says Luke. Written on the paper was this message for Richard, Karen and Patricia: ‘Princess Snowbird will be your Gatekeeper’. “Princess Snowbird, that’s beautiful.” says Kath. “Thank you.” say sitters. Moments later young Luke says ‘Bye’, “Bye Luke, God Bless.” say sitters as he leaves us.
Our next communicator to the table is young Lucy - “Good evening Lucy.” say sitters - “Hello.” says Lucy. Lucy wastes no time, straight away she asks for the keyboard. The light is put on and the keyboard is brought in and placed on the table, then the light is put off again. Lucy immediately picks up the keyboard and takes it over to Ross and seats it on his hands that are resting over the table. Lucy plays a couple of odd notes then presses a pre-set button and we hear ‘Old Macdonald’, as we sing along to this Lucy takes the keyboard from Ross’ hand and we watch as it flies out of the circle above and over Helen’s head.
Seconds later the keyboard is back in the circle and over onto Karen’s head (still being played by Lucy). The tune now changes to ‘Oh Susanna’ and as the keyboard begins to sway in the air above us, the table rocks in tune with the music being played. The keyboard is now over and onto Patricia’s knee, then over onto my hand which is resting on the table, all the while still being played by Lucy. Lucy then begins to play singular notes with the symbols and drum feature on the keyboard, this creates a ‘rappin’ sound which Lucy seems to favour.
Moments later the keyboard is pushed over to me, in a way that signifies that Lucy has had enough and wishes me to remove it. I take the keyboard from the table, and as I do so Lucy communicates “Ba…” “Balloons?” I ask. “Yes.” says Lucy. Ross leans over and brings in the two balloons that are on the floor behind him. The balloons are placed on the table as best Ross can because they are quite big. Lucy immediately picks up one of the balloons and begins to play around with it - “Thanks Lucy.” says Helen as Lucy takes the balloon over to her.
Helen has a fear of the balloon bursting in her vicinity, and there is laughter now as Lucy playfully teases Helen with the balloon - Lucy twangs the elastic on the balloon, this makes a sound as if the balloon is going to burst, but it doesn’t [laughter]. Moments later the balloon is on the floor and Lucy is picking the circle table up and placing it on top of the balloon - the table is now straddling the balloon and Lucy is bouncing the table up and down on top of it, just like you would with a ‘space hopper’.
We put on the light to photograph this and as the photo is being taken the table is still bouncing up and down - the light having no effect on the energies required for Lucy to do this. The table bounces faster and faster on top of the balloon, we are allowed to witness this for quite a while before the light has to be put off (due to energies waning).
Moments after the light is put off Lucy picks the table up and takes it over to Helen - within seconds the table is over Helen’s head and she is inside the legs. Helen then tells us that the hairclip taken from Karen and put in her hair, is now being taken out again - Karen then tells us that Lucy has passed the hairclip back to her. “Thank you Lucy.” says Karen.
“Don’t you dare! You little madam!” says Helen jokingly as Lucy now picks up the balloon and squashes it inside the table legs behind Helen’s head [laughter]. “Oh please Lucy, be nice, play nicely.” says Helen as Lucy bashes the balloon behind Her [laughter]. Helen bursts into laughter as we put on the light to find her tightly squeezed inside the table with the balloon as a cushion behind her.
Photographs are taken and the light is put off - “This is to get you over your fear (of balloons) Helen.” says Kath. “Well, it’s not working.” says Helen jokingly [laughter].
Lucy takes the balloon and table away from Helen - “Well done sweetheart.” says Helen. Moments later Lucy communicates “Six trumpets.” “All six?” I ask. “Yes.” says Lucy. “I’ve seen my Dad (Dick) do six, but never Lucy.” says Kath.
The light is put on, but only five trumpets can be found - “Will five do Lucy?” I ask. “Yes.” says Lucy. As the light goes off Lucy picks up the trumpets one by one until she has all five up in the air above us - the trumpets then separate and as three hover above us, two fly out of the circle behind Helen. We then see the ‘mirror image’ effect again as the two trumpets on the outer copy the three trumpets hovering above us. I may be describing all this so ‘matter-of-factly’, but believe me this blows our minds every time we witness it.
All five trumpets are now back in the circle just above us - Lucy then puts the trumpets inside of each other until we have one extra large trumpet made up of the five smaller ones. Lucy then takes them right up to the ceiling, hovers there for a couple of seconds, then flicks the extra large trumpet until the inner ones fly out of the circle between Ross and myself. Lucy, now down to two trumpets, one inside the other, blows kisses down these last two - then we hear ‘bye’ clearly down the trumpets.
We think that Lucy is leaving us, but no, Lucy then communicates through the table “Hoops.” “The little ones (six inch diameter)?” I ask. “Yes.” says Lucy. Down to one trumpet now, Lucy places it over Richard’s hand that is resting on the table, she then puts the hoops that have been brought in, over the other end of the trumpet that is on Richard’s hand and then spins them round on it. Lucy then throws the hoops out of the circle one by one - they whiz past my head in the darkness. Lucy then blows kisses down the trumpet on Richard’s arm (audible to all) “Oh thank you.” says Richard.
Lucy takes the trumpet from Richard’s arm and throws it out of the circle - “Bye.” says Lucy. “Bye.” says sitters.
We welcome Red Cloud back to the circle - having sat now for nearly one hour and twenty minutes with non-stop phenomena and communication from the Spirit world, Red Cloud asks us to close the circle.
We are allowed one question each if we wish, but all sitters just give thanks for an incredible evening with our Spirit friends.
The circle is closed with a Prayer by Kath.
Terry Nelson.
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Below are various photographs taken during the sitting as phenomena occurred - some were taken with normal flash camera, and some were taken with red light and digi-camcorder (snapshot feature).
The shamanic healing drum, played by
Red Cloud at the beginning of the sitting.
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Red light photo of the shamanic drum.
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Guest sitters 'Richard (left) and Patricia (right) have
their hands put inside the trumpets by
Dick (Kath's Father in Spirit).
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Red light photo of Karen's hand resting on
the trumpet that is on Richard's hand.
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Guest sitter Patricia with the bent trumpet,
put on her hand by Dick.
---------------------------------
Red light photo of the trumpet on Patricia's hand.
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Dick
bends the silver trumpet over at the end and
sticks it inside the gold
trumpet - these trumpets
are on Richard and Patricia's arms, Dick then
guides the trumpets over Karen's head.
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Red light photo of the trumpet on Richard's
arm - Spirit manipulate the energies surrounding it.
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Red light photo taken whilst the trumpets
were around Karen's neck.
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Very unusual photo supposedly of the
trumpet on Richard's arm.
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Dick
puts the scrunched up trumpet on Karen's arm,
then raises Karen's arm
up onto Kath's head whilst
putting the other end of the trumpet down
Helen's back.
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Red light photo of the trumpet on Kath's head.
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The trumpet put down the back of
Helen's shirt by Dick.
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Red light photo of the trumpet down Helen's shirt.
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Guest
sitter Richard has his finger put in the end of the
trumpet - Teresa's
hand is put in the other side.
Guest sitter Patricia has her arm inside
the silver
trumpet - all done by Dick.
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Red light photo of the trumpet with
Richard's finger in the end.
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Red light photo of the silver trumpet resting
over the gold trumpet.
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Spirit visitor 'Charles' ties the skipping rope to
Richard and Patricia's hands.
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Red light photo of the skipping rope
handle near Richard's hand.
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Red light photo of the rope tied to Patricia's hand.
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Spirit child Luke ties sitters together with the string
from the kite which he sat on Helen's shoulder.
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Red light photo of Kath's wrist tied
with string by Luke.
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Spirit child Lucy bounces the table on
top of the balloon.
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Red light photo of the balloon under the circle table.
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Lucy puts the table over Helen's head, then puts
the balloon between Helen and the leg.
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Red light photo of the balloon behind Helen
who is inside the table.
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