Kath Nelson.
Terry Nelson.
Tom Nelson.
Doris Forster.
Alison Sherwood.
Malcolm Smith.
Mary Smith.
Pam Allinson
Georgia (Pam’s Granddaughter)
We originally did not intend sitting this evening as it was still
quite warm in the séance room, but Kath was reminded by her brother
Malcolm that today was Dick’s birthday (Dick is Kath and Malcolm’s
Father in Spirit) - not just any birthday…Dick was 100 years old today
(sixty two earth years and thirty eight in Spirit), so regardless of the
possibility of it being too warm, we decided, with Red Cloud’s
blessing, to sit.
The circle was opened as normal with a Prayer,
this evening by Kath. We had an idea of what was in store for us as the
table came to life seconds into the Prayer, and began to rock quite
rapidly. “Good evening Red Cloud, welcome.” say sitters as he
communicates through the table - “Your in high Spirits.” says Kath (no
pun intended) as we sense the excitement in the table.
“Welcome,
healing again, Drum, then hoops.” says Red Cloud. Seconds later the
table is up in the air (four feet off the floor) and is swaying from
side to side as we try to keep our fingers on its edge. As we put on
the light to bring in the drum safely (as it is quite large), the table
is back on the floor, but still rocking, although not so fast.
The light goes off, and immediately we hear Red Cloud’s fingers tapping
on the drum. Moments later the tone changes and we can tell that he is
now using his full hand to tap away the beat. The beater is now up off
the table along with the drum, and as we watch them both lift high above
our heads and slowly move out of the circle behind Alison, Red Cloud
begins to hit the drum with the beater - a very loud rhythmical beat is
heard, getting faster as it gets louder.
The drum and beater now hover just above Alison’s head for a second
or two before coming back into the circle. As they slowly descend, they
move across and come to rest on Pam’s knee…the beat is slightly
different now. The drum and beater are now seen (luminous tabs) to move
slowly round the circle of sitters, stopping momentarily and coming to
rest, on Malcolm’s hands, then Doris’ hands, then over to Tom, all the
while the beat continues.
Tom now tells us that his hand has been
grabbed and pulled over to the drum - Red Cloud lifts and drops Tom’s
hand a couple of times on the drum to let him know that Red Cloud wishes
him to play it also. We now hear both Tom and Red Cloud’s hands
tapping away on the drum, Tom trying to copy Red Cloud’s beat. Moments
later the beater lifts up and does a three hundred and sixty degree turn
around the table, tapping sitters fingertips as it does so. The beater
stops at Pam and begins to stroke her arm before going back to the drum
- the beater is now alternating between the drum-top and the drum side
as it gently taps away.
The drum and beater now move over to
Malcolm, and come to rest on his knee, the beat continues as it moves
away from Malcolm and back onto the table. We can now hear Red Cloud
drumming with his hand again, but this time he is drumming on the
table-top. Moments later he takes Doris’ hand, and like Tom, he guides
Doris’ hand over the drum for her to play along with him. The beat
starts off slowly then gets faster and faster.
As the drumming stops Red Cloud nudges the table - I ask if he
wishes the drum and beater to be removed…”Yes.” says Red Cloud (through
the table). I then ask Red Cloud if he wishes me to bring in the hoops
whilst the light is on to remove the drum, “Yes.” says Red Cloud. I
bring in the full sized hoola hoops and place them over sitters hands
that are resting on the edge of the circle table - no sooner has Tom put
out the red light, when both hoops begin to shake on our hands.
One hoop is now seen to rise up from the table (luminous tabs on its
sides) and Red Cloud places it over firstly, Pam, and then over
Malcolm’s shoulders, coming to rest on their neck area. The second hoop
now lifts up and is placed over Doris and my shoulders, again coming to
rest around our necks. Both hoops then begin to shake and vibrate,
just slightly touching our necks as it does so - it is a very soothing
feeling, and is done for healing purposes.
The hoops begin to
vibrate faster now, the table also starts to rock at the same time.
Moments later we ask if we may put on the red light and take photos -
Red Cloud allows this so on goes the light and photos are taken…the
table continues to rock in the centre as photos are taken. The instant
the light is put off both hoops lift up and off us four sitters - the
hoop that was on Doris and myself is now over Kath and Mary’s shoulders,
whilst the hoop that was over Pam and Malcolm is now over Kath and
Alison.
Kath now has two hoops over her body, sharing the one with Mary, and
the other with Alison whom are sat on either side of her. Again we put
on the light and take photos of what we see. As the light goes off
again, both hoops are lifted away from sitters and are up and over
Alison’s head and out of the circle behind her. We can now see both
hoops turning slowly round and round in the space behind Alison, they
then start to bounce up and down on the floor, then over to the door and
tap slightly on the curtain covering the door.
Alison tells us
that the back of her chair is now being tapped by one of the hoops, then
we hear, as Alison describes to us, her back being gently slapped by a
hand. Both hoops are now back in the circle over the table, then, up in
the air they go, just below the ceiling, before finally coming down and
resting on my shoulder. I ask Red Cloud “Have you finished with them?”
“Yes.” says Red Cloud. Tom puts on the red light and I remove the
hoops safely from the circle. “Bye.” says Red Cloud (through the
table). “God Bless, bye.” say sitters (knowing full well he will be
back to close the circle later).
As the man of the moment (Dick)
comes to the table, we all sing Happy Birthday, then finish with three
cheers - the table rocking very fast in the centre as we sing. The
table is now seen to rise up in the air, some fingers are still on its
edge, some have to let go as it turns upside-down and gently drops back
to the floor. The spare table which is situated behind Mary and Kath
now begins to move, and within seconds it is in the circle between Mary
and Kath, turning upside-down as it travels in.
The spare table comes to rest upside-down on the circle table’s
legs, but only two of them. Dick has full control of the spare table as
it rocks on two of the circle table’s legs - we are allowed the red
light on to see this, and to take photos of it. Our fingers are on the
edge of the spare table as it is being photographed, but this is only
for energy purposes. As the light goes off Dick pushes the spare table
over slightly until it is resting on all three of the circle table’s
legs.
Dick then communicates through the spare table -
“Trumpets.” I ask how many, and Dick agrees on two (the large ones).
“Is Mum (Mary) here?” asks Kath. “Yes.” says Dick as the light is put
on to bring in the trumpets. The instant the light goes off both
trumpets are up in the air, whilst one hovers above our heads the other
goes out of the circle over Alison’s head. The one out of the circle
now begins to spin in unison with the one still hovering above us
(mirror image effect).
The trumpet behind Alison comes back into
the circle over her head; it hovers for a second or two, then we hear a
female voice say ‘Hello’ down the trumpet. “Hello.” say sitters.
“Hello Mum.” says Malcolm (from experience we know this to be Mary, Kath
and Malcolm’s Mum who is speaking through the trumpet). The trumpet
now drops gently over Malcolm’s hand and taps it - “Do you want
Malcolm’s hand?” Asks Kath. “Yes.” says Mary with a nod of the trumpet.
Malcolm’s hand is now inside the trumpet, whilst the other trumpet
is now over to Mary (Malcolm’s wife) and is tapping her hand. “Shall I
put my hand inside?” asks Mary, “Yes.” is the reply with a nod of the
trumpet. Mary puts her hand inside the wide end of the trumpet; it is
immediately grabbed by Dick and pulled over the table. Malcolm has a
bad shoulder, Dick knows this and leaves his hand (inside trumpet)
resting on the upturned table.
Tom puts on the red light and
photos are taken of Mary and Malcolm’s hands inside the trumpets. As
the light goes off, Dick communicates through the table “More.” “More
trumpets?” I ask. “Yes.” says Dick. I then explain to Dick that there
are five more trumpets and does he want them all - “Yes.” says Dick.
Tom puts the light back on and I bring in the five smaller trumpets -
the tables are only 20 inch in diameter and it was quite cluttered, but
we managed to sit them all on the upturned table around the table centre
post.
Now, we have nine sitters and seven trumpets, and for the
next few moments each sitter in turn tells us that a trumpet is being
put on their hand, me included. All seven trumpets are now on seven
sitter’s hands…does Dick leave two sitters out? No, Kath and Tom have
no trumpets on their hands, but Dick takes their fingers and sticks them
in the end of trumpets on other sitters hands…Tom’s fingers in the end
of my trumpet, and Kath’s fingers in the end of Mary’s trumpet.
All nine of us sitters are now attached to a trumpet in some way - what
happens next amazes us all as the trumpets all start to do, what I can
only describe, as a Mexican wave effect as they begin to move up and
down on our hands. Moments later, Tom, with his free hand, is allowed
to take photos, whilst Kath, with her free hand holds the torch. “I
think he (Dick) is having a party.” says Kath [laughter].
As the light goes off Alison tells us that her hand (still inside
the trumpet) is being pulled across the spare table’s legs (which are
facing upwards). Kath’s fingers are taken from the end of Mary’s
trumpet by Dick, and Kath tells us that she sees a hand over the table
at the same time that Alison tells us that her hand is being stroked.
There is now a lot of movement with the trumpet ends over the table, so
we are allowed to put on the light again, and find that two trumpets
have now been joined together, and are resting over the table legs -
these trumpets are attached to Mary and Alison. Photos are taken and
the light is put off - within seconds Kath tells us that something is
being put behind her head, at the same time Mary and Alison tell us that
their hands (still inside the trumpets) are being raise up and
positioned behind Kath.
On goes the light to find the two
trumpets around Kath’s neck (still attached to Mary and Alison). As the
light goes off their trumpeted hands are guided up and away from Kath -
we are all still attached to a trumpet in some way, but this does not
stop the spare table from lifting up off the circle table and moving out
of the circle by Spirit power alone. The circle table then turns
itself the right way up in the centre of the circle, again without our
hands upon it.
Tom’s fingers are now taken from my trumpet…moments later I feel a
hand squeezing mine through the trumpet, and moments after that we hear a
voice say ‘Hello’ down the trumpet that is still on my hand…I answer
with a ‘Hello’ back. We now hear a rustling as if sweet papers are
being opened, but we later find that it was the very loose silver
binding on the large trumpet that was making the noise as Dick
manipulated it.
Pam’s hand is now being squeezed through her
trumpet - Pam tells us it is a very strong grip that is now pulling her
hand over the table (still inside the trumpet). Alison tells us that
her hand (still inside her trumpet) is now being raised above her head -
we then hear raspberry sounds coming down her trumpet [laughter]. Pam
now has warm air (her description) being blown down her trumpet, then
raspberry sounds blown down the same trumpet. “Very good Dick.” says
Pam.
Dick now grabs the trumpet on my arm and pulls me right
across the table, I feel his strong grip as he does so. I am now out of
my chair, leaning across the circle table with my arm outstretched, the
trumpet on my arm is between Kath and Mary. We are allowed the red
light to look at this, and whilst the red light is on I can still feel
Dick’s strong grip holding my hand through the trumpet - Kath notices
and points out the indentation in the trumpet where Dick is holding it.
Moments later the trumpet on Alison’s hand whacks Kath on the back
of the head [laughter]. As I sit back in my seat and the light is put
off Dick again says ‘Hello’ down my trumpet - I feel the vibration of
his voice as he speaks. Moments later Dick says ‘Hello’ down the
trumpet that is on Alison’s hand…”And hello to you too.” says Alison.
Dick then says something else, but it is not clear enough to be heard -
“I don’t like asking, but would you repeat it?” asks Kath - Dick
repeated it, and was actually saying “A happy birthday.”
Dick now
has my hand (with trumpet still attached) raised up in the air, and he
is shaking it round and round. As I look in the darkness at the end of
the trumpet, at various stages of it twirling round, there is a slight
glare from the other trumpet’s luminous tabs, and in this glare I see a
hand holding my trumpet. Tom also sees fingers on my trumpet, whilst
Alison and Pam can also see the hand that I see.
Dick now picks
up another trumpet, taken from Mary’s hand, and puts it on the end of
the one already on my hand. Dick then blows air down these trumpets,
then blows raspberries down them. Moments later the outer trumpet begins
to turn around on the inner trumpet on my hand. Another trumpet is now
raised up in the air, it hovers near Pam, and we hear a female voice
say “Beautiful girl.” down it. We ask who this is referring to - it is
in fact, Georgia (Pam’s Granddaughter). “Thank you.” says Georgia.”
“Is that you Mum (speaking down the trumpet)?” asks Kath. “Yes.” says
Mary (in Spirit).
We now have two trumpets spinning round in the air above us - one is
now tapping the trumpet that is still on Pam’s hand. Moments later one
goes over to Doris and we hear kisses being blown down it; it then
strokes Doris’ face. Malcolm still has a trumpet on his hand that is
resting over the table- Kath asks “Have you left it there for more
healing?” “Yes.” says Dick with a nod of a trumpet. A trumpet is now
hovering near Tom and Mary, and we hear a female voice say ”Love you.”
down it. “Love you too.” says Mary (sat next to Kath).
Two
trumpets are now in the air again doing twirls and spins above us - at
the same time the circle table begins to move, and then lifts up and
goes out of the circle between Kath and Mary. Dick then takes four
trumpets from various sitters and we see them in the space where the
table was; they are now doing the ‘gyro effect’ just above the floor -
spinning round in circles and inter-twining with each other as they do
so. “It’s amazing that they don’t hit anyone.” says Pam as they spin
ever so fast.
Moments later one trumpet hovers for a second or
two, then we hear a female voice (Mary) say ‘Bye’ down the trumpet -
“Bye Mum.” says Malcolm. Dick continues to work with a trumpet for a
few moments more, he conducts to the background music for a few seconds
then throws the trumpet out of the circle between Doris and myself.
Alison then says “Oh no, I’ve got my head between my knees and Dick is
patting me on the head, now he is rubbing my back (audible to all).
Thank you very much, that’s my hair ruined [laughter].”
Mary now tells us that she too is being pulled down over the table,
her head which is inches away from Alison’s, is now being tapped, as is
Alison’s, by a trumpet. As the trumpet drops to the floor, both Alison
and Mary tell us that they have been pulled back up into their
respective seats by Dick. Seconds later the circle table is up and back
into the circle between Mary and Kath. As we all put our hands back on
the table’s edge Dick says (through the table) “Terry, take the trumpet
off Malcolm’s hand, put on table.” “Is this because you want it done
gently?” asks Kath. “Yes.” says Dick.
Tom puts on the red light
and I take the trumpet from Malcolm’s hand and lay it on the table. As
Tom puts off the light the trumpet raises up off the table and goes out
of the circle behind Alison, and seconds later as the trumpet hovers in
the air just behind Alison’s chair, we hear a very deep clear voice say
“Well done.” down the trumpet. “That was a brilliant voice.” says Pam.
Dick now communicates through the table “Can you believe…I’m still here
at 100.” [laughter] I then say “I must admit, you are doing well for
100 Dick.” [more laughter] Dick then says “Ribbons.” I then start
counting upwards from one, and when I reach five Dick nudges the table
to confirm that he wants five ribbons. “It’s like a proper party.” says
Mary as Tom puts on the red light for me to bring in the ribbons.
As the light goes off Doris is the first to tell us that her hand has
been taken and that a ribbon is being tied to her wrist by Dick - “Thank
you.” says Doris. Mary then tells us that her hand has been taken hold
of by Dick, and that he is trying to tie a ribbon to her wrist, but it
is too short and will not tie properly. Mary then tells us that Dick
has now tied the ribbon in a bow on her thumb, and that she can feel
Dicks fingers as he ties the bow.
Pam and Alison are also adorned with ribbons on their wrists - Pam’s
hand was pulled over the table for hers to be tied. Pam and Alison
both thank Dick, then Dick says “One missing!” I knew that I had put
five ribbons on the table to start with, and later find the missing
ribbon on the floor under the table, but for now I bring in one more
ribbon. As I place it on the table, Pam’s Granddaughter ‘Georgia’ tells
us that her hand has been taken and the ribbon tied to her wrist.
Moments later we are allowed to put on the red light and take photos of
all sitters with the ribbons on their wrists…and thumb.
Dick now
asks for ‘paper’ - “Paper and pencil?” I ask. “Yes.” says Dick. “Can
we get rid of the trumpets?” asks Kath. “Yes.” says Dick. The light
goes on and the trumpets are removed from the circle. I place a piece
of A4 paper (which is checked on both sides) on the table along with the
pencil, and then Tom turns off the red light torch. For the next two
minutes we sit and watch as Dick picks up the pencil (luminous tab on
its stem) and writes on the paper, turning it over halfway through to
write on the other side.
As Dick lays the pencil down on the
paper, we ask if we may look at what he has written - “Yes.” says Dick -
This was Dick’s message: “Thank you for a wonderful Birthday and
taking up the whole evening. Bless you all. Big hugs to you all,
especially my children, Grandchildren and Great-Grandchildren xxxx.”
We thanked Dick for his beautiful message and moments later he left us
with a ‘Bye’ through the table - “God Bless you Dick.” say sitters as he
leaves us.
Dick normally comes in just after Red Cloud and stays for about ten
to fifteen minutes, but this evening he stayed with us for nearly an
hour. One can only imagine the beauty of the Spirit World, and for
Dick, Red Cloud and the rest of our Spirit friends to take the time each
and every week to come back to our much lower vibration to be with us
and to help us…We thank you all.
Our next communicator to the
table is Doris’ husband ‘Freddie’ - “Good evening Freddie.” say sitters.
Freddie immediately asks for the pencil and paper, which is again
brought in by me and placed on the table. The paper is checked on both
sides to show that it is blank and then the pencil is placed on top of
it. Freddie writes in the darkness for just over a minute, then places
the pencil back on the paper. We again ask if we may look - “Yes.” says
Freddie.
This was Freddie’s message for Doris: “My Darling,
you have done wonderful, just don’t run before you can walk…I am
watching you lol. I love you so much xxxx.” Doris thanks Freddie for
her message, and then asks “Did you write the message on the computer?”
[Doris was doing some work on her home computer the previous week.
During her typing a line of text appeared that she did not write - it
was a personal message that made perfect sense to her], “Yes (I did).”
says Freddie.
Doris then asks Freddie “How is your ‘Direct Voice’
doing, are you practicing?” [Dick told us the other week that they were
teaching Freddie how to do the Direct Voice]. “Yes (I am practicing).”
says Freddie. “Are you and my Dad (Dick) big mates?” asks Kath. “Yes.”
says Freddie. “Has he got you playing the trumpet yet?” asks Kath -
[the table motions laughter] [laughter from sitters also]
The pencil now lifts up from the table and begins to spin round and
round in the air, then slowly drops back to the table. “Bye.” says
Freddie - “God Bless, take care.” says Doris as Freddie leaves us.
Our next communicator to the table is Alison’s Great-Uncle ‘William’ -
“Hello William.” says Alison as the table, with the pencil still sat on
it, moves across the circle to her. The pencil then lifts up from the
table and Alison says “The pencil is under my chin.” [laughter] “Thank
you very much.” says Alison as the pencil drops back to the table.
The table moves back to the centre of the circle and Kath asks “Would
you like some paper?” “Yes.” says William. Tom puts on the red light
torch and I bring in one piece of A4 paper and place it next to the
pencil on the table - the paper is checked once again and then the light
is put off. William picks up the pencil and writes on the paper for
about fifty seconds. Again when the pencil is placed on the paper we
ask if we may look - “Yes.” says William. William’s message reads: “My
wee lassie” [there is then a personal message for Alison] and the
message ends with “Bless you, William and Charlie (Alison’s Dad).
“Thank you very much, thank you.” says Alison. “Bye.” says William.
“Bye, thank you for coming.” says Alison as William leaves the table.
William is normally our last communicator before Red Cloud comes back
to the table, but this evening that was not the case. As the table
moves to communicate, we get the name ‘Chief Joseph’. Chief Joseph is
Pam’s guide in her Wednesday home circle, and this evening he had come
along to give Pam a personal message regarding her home circle. We
welcomed Chief Joseph to the circle, and he then conveyed his message to
Pam. “Thank you very much.” says Pam as Chief Joseph thanks us for
letting him give his message to her. “You’re very welcome.” say sitters
as Chief Joseph bids us farewell.
We welcome Red Cloud back to the table, and when asked if he would
like to say something, he says “Wonderful evening.” “It was, truly…just
like a party.” says Kath.
Red Cloud asks us to close the circle as the energies are now spent. “God Bless you, bye.” say sitters.
The circle is then closed with a Prayer of Thanks by Doris.
Duration of sitting: One hour and sixteen minutes.
Terry Nelson.
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Below are various photos taken during the sitting. Some were taken with normal flash camera, and some were taken with red light and digi-camcorder (snapshot feature).
Our trusty circle table - 14 years old and held together
with bolts and pins (lots of wear and tear).
-------------------------------------
Red Cloud puts the hoops over sitters for healing.
------------------------------------------
Red light photo of hoops over sitters.
-----------------------------------------
Mary, Kath and Alison with the hoops
put over them by Red Cloud.
----------------------------------------
Dick
(Kath's Father in Spirit) brings the spare table
into the circle and
places it upside-down on top
of the circle table's upturned legs.
---------------------------------------
Dick places the trumpet on Mary's arm and
then guides her arm over the table legs.
--------------------------------------
Dick puts the trumpet on his son Malcolm's
hand for healing.
---------------------------------------
All sitters have their hands or fingers put
inside a trumpet by Dick.
----------------------------------------
Red light photo of the trumpet on Mary's arm.
---------------------------------------
More sitters with trumpets on their hands,
put there by Dick.
-----------------------------------
Red light photo of trumpet on sitter's hand.
--------------------------------------
Red light photo of trumpet on Georgia's hand.
------------------------------------
Dick joins two trumpets together and guides
sitter's hands over the upturned table.
-------------------------------------------
Tom takes red light photo of trumpets
joined over the table.
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Red light photo of trumpet over table.
-------------------------------------
Red light photo of trumpet over sitter's hand.
------------------------------------
Dick asks for ribbons, then ties them in
bows on sitter's wrists.
----------------------------------------
Mary (centre) with the ribbon tied in
a bow on her thumb by Dick.
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Red light photo of the ribbon tied on
Doris' wrist by Dick.
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Red light photo of the ribbon tied on
Mary's thumb by Dick.
------------------------------------
Side one of the message on A4
paper - written by Dick.
---------------------------
Side two of the message on A4
paper - written by Dick.
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