Kath Nelson.
Terry Nelson.
Tom Nelson.
Doris Forster.
Alison Sherwood.
Anne Murray.
Mary Smith.
Malcolm Smith.
Our Special thanks to Red Cloud and the Spirit team for this very 
special evening.  The energies were phenomenal, but at the same time so 
calm as much of the evening was given to healing of various sitters.
There was some wonderful direct voice phenomena this evening from 
Kath’s mum in Spirit (Mary) - all other communication was via the table 
(apart from the odd nod of the trumpet).
The circle was opened 
this evening with a Prayer by me (Terry), once again the table came to 
life well before the Prayer was ended; rocking in the centre as we put 
our fingers on its edge.  “Good evening, welcome.” say sitters as Red 
Cloud comes to the table -  with this the table rises up in the air by 
about four feet, and then slowly back down again.
“Welcome back 
Doris, you have been missed, but we were there.  Sorry you were so 
sick.” says Red Cloud.  “Thank you.” says Doris.  “You mean ‘sick’ as in
 ‘upchucking’?” asks Kath.  “Yes.” says Red Cloud.  “Something upset my 
stomach.” says Doris.  Red Cloud then says “Malcolm, after drum, you and
 Doris are going in the hoops (hoola hoops Spirit use for healing).”  
Red Cloud then says “Anne, you are lucky Luke doesn’t like the feel of 
hair dye.”  “I’m sorry Luke.” says Anne [laughter].
“Have you had
 your hair dyed?” asks Kath.  “Yes, last week.” says Anne [laughter].  
“No secrets at all.” says Anne jokingly [more laughter].  “Drum.” says 
Red Cloud.  The light is put on and the drum is brought in by Alison and
 placed on the table along with the beater.  As the light goes off the 
drum is up off the table almost immediately.
Red Cloud begins to beat on the drum as it travels across the circle
 to Alison; it rests on Alison’s fingers for a second or two, then moves
 over to Malcolm who is seated next to Alison.  Again it rests on 
Malcolm’s fingers for a few seconds as Red Cloud now taps the side of 
the drum along with the top.
From Malcolm over to Doris where we 
have a different tone and speed now.  Moments later the drum is up in 
the air and over onto Mary’s head, still being beaten by Red Cloud.  
“Thank you.” says Mary as the drum lifts off her head and moves across 
to Anne.  From Anne the drum and beater rise up over her head and out of
 the circle behind her, drumming constantly.  The drum is now back in 
the circle after travelling over Kath’s head; it drops slowly down in 
front of Kath, then moves across and sits on Anne’s hands that are over 
the table.
Red Cloud is now alternating between the top of the 
drum and the side with the beater, this goes on for a few seconds before
 the drum is lowered to the table and then the beater does three hundred
 and sixty degrees round the table, touching sitters hands as it travels
 round.  Red Cloud is now brushing the hide of the drum with the beater,
 ever so fast, creating a light trail from the luminous tab on the 
beater’s stem.
Red Cloud now slows down the beating of the drum 
until he is actually drumming in tune to the background music.  Moments 
later Red Cloud lays the beater down on top of the drum  - “Are you 
finished?” I ask.  “Yes.” says Red Cloud.  The drum and beater are 
removed from the table - Red Cloud then says “Hoops.”  “Both?” I ask.  
“Yes.” says Red Cloud.
The light is put on and I bring in the two full sized hoola hoops 
and place them over sitters hands that are on the edge of the table 
(they are much too big for the table).  As the light goes off the hoops 
rise up from sitters hands, obviously controlled by Red Cloud they begin
 to shake in the air above us - seconds later one of the hoops is being 
placed over Malcolm’s head and it comes to rest on his shoulders.  The 
other hoop is then placed over Doris’ head and onto her shoulders, both 
hoops then begin to vibrate.
As the hoops are vibrating over 
Malcolm and Doris, Alison and Anne tell us that their hands have been 
stroked.  Alison then tells us that her hand has been patted, pulled 
into the centre of the table, and placed on one of the hoops - both 
still vibrating.  The hoop over Doris now lifts up and moves across to 
Tom, it is then placed over Tom and Mary’s heads and rests on their 
shoulders. This hoop then starts to go round and round in circles whilst
 resting on their shoulders. 
From Tom and Mary this hoop moves 
across the circle and is placed over Malcolm’s head, Malcolm now has two
 hoops over his body.  Both hoops begins to shake and vibrate - Malcolm 
tells us that one is vibrating on his hand and the other one is rubbing 
and vibrating on his back.  The table is also vibrating in the centre of
 the circle now (probably due to the fact that the hoops over Malcolm 
are also over the table).   One hoop now lifts off Malcolm and rises up 
to the ceiling, it touches the ceiling then drops slowly back to the 
table.
We are now allowed the red light to take photos of the hoops and 
their position over the table and Malcolm.  We take ordinary flash 
photos and red light photos with some amazing results.  As the light 
goes off again various sitters comment on the very peaceful atmosphere 
in the room this evening.  Moments later Red Cloud asks me to remove the
 hoops from Malcolm and the table - the light is put on again and the 
hoops removed.
We thank Red Cloud for the lovely healing received -  “Bless you Red Cloud.” say sitters as he leaves us till end of sitting.
Our next communicator is Dick (Kath’s Father in Spirit) and no sooner 
has he given us his name, when the table is up and over to Malcolm as if
 to greet him (Malcolm is his Son).  From Malcolm the table is taken 
across to Doris - “Hello Dick, nice to see you again.” says Doris.
The table then moves across the circle to Mary, and then over to Anne, as if to greet them both too.
The table then moves across the circle to Mary, and then over to Anne, as if to greet them both too.
Dick then communicates to me (Terry) through the table “Happy Birthday 
for Friday.” (It is my 60th Birthday this coming Friday).  I thank Dick 
for his birthday wishes and then Kath says “Is mother  (Mary) here?”  
“Yes.” says Dick.  The table then lifts up off the floor and as it 
hovers about two feet in the air, it starts to behave rather strangely -
 I comment on its behaviour as akin to someone who is drunk.  “Have you 
been on the bottle Dad?” asks Malcolm jokingly [laughter].
Dick then communicates “One big trumpet, one small one.” through the
 table.  The red light is put on and the two trumpets are brought in and
 placed on the table by me.  The second the light goes off both trumpets
 are up in the air, and as one hovers up above the table, the other one 
flies out of the circle over Anne’s head to the door.  We then watch as 
the two trumpets do exactly the same movements in the air - the one near
 the door copying the one over the table.
The trumpet near the 
door comes back into the circle over Anne’s head, tapping it as it 
passes - “Thanks.” says Anne.  Both trumpets are now hovering four feet 
above the table, doing figure of eights in unison with each other.  The 
trumpets now conduct to the music for a few seconds before one flies out
 of the circle again behind Anne -  this trumpet then rubs up and down 
the wall before flying back into the circle and rejoining the other one 
that is still hovering above the table.
Both trumpets drop slowly
 to the table, one then goes over to Malcolm and his hand is placed 
inside it by Dick.  We then hear air being blown down the trumpet, 
followed by kisses being blown.  The other trumpet then goes over to 
Doris and we again hear the air and kisses being blown down it.  From 
Doris the trumpet moves across the circle to Mary, and Mary’s hand is 
placed inside it.  Mary tells us that her hand is being shaken  and 
squeezed inside the trumpet - “It’s a right grip!” says Mary.
Moments later Mary tells us that a trumpet is being put down the 
back of her shirt - we ask if we may look and then the light is put on 
[laughter].  We find one of the smaller trumpets just sticking out above
 her neckline at the back of her head - photos are taken and then the 
light is put off again.  The trumpet is now taken from Mary and we watch
 as it travels across the circle to Alison.  The trumpet is put on 
Alison’s hand and then her hand is pulled over the table towards Mary, 
who has also had her hand with the trumpet on raised.
The light 
is put on again, and we find the trumpet on Alison’s hand crossed over 
the trumpet on Mary’s hand and touching Mary’s shoulder - photos are 
taken and Alison tells us that she can still feel the grip on the 
trumpet during the photo taking.  As the light goes off, the trumpet is 
taken from Alison’s hand “Thank you.” says Alison.  
The trumpet 
is now hovering just in front of Malcolm’s face, and seconds later we 
hear “Malcolm.” down the trumpet.  Seconds later we hear “Enjoyed the 
garden (Malcolm’s garden).”  “Is there enough red (as in flowers) in it 
for you?” asks Malcolm.  “Yes.” comes the reply with a nod of the 
trumpet.  “Good.” says Malcolm.  Then we hear “Birds.” down the trumpet - “Yes, we like the birds don’t we?” says Malcolm.
 The trumpet now moves over the table - it is facing me (Terry) and we 
hear “Mary, stop worrying.” down the trumpet.  “I’ll try.” says Mary - 
[laughter as trumpet taps Mary on the head].  The trumpet is now up in 
the air above us, first we see ‘figure of eights’ as it swirls around, 
then it comes right up to various sitters faces and moves away again.
The trumpet now moves over to Doris, and it begins to rub her very 
gently on her left side - “Are you giving me healing Dick?” she asks.  
“Yes.” says Dick.  “Thank you Dick.” says Doris.  The trumpet is up in 
the air again, and we comment on the very calm energy this evening, 
possibly due to the healing taking place.
We now have two 
trumpets up in the air again, out of the circle over near the door, 
doing the ‘gyro’ effect just below the ceiling.  The trumpets now come 
back into the circle over Anne’s head, and as they drop slowly to the 
table Dick communicates “Six.”  “Six trumpets?” I ask.  “Yes.” says 
Dick.  The light is put on to bring in the other trumpets; the table 
rocking ever so fast until they are placed on it.
As the light 
goes off the trumpets begin to rise, first two then four, then all six 
trumpets up in the air - again we see the ‘gyro effect’, but this time 
with six trumpets. Two lots of three trumpets spinning round, 
inter-twining with each other as they do so - it was magical to watch.  
All trumpets are now back on the table, and over the next two minutes we
 all sit and watch and wait as Dick places a trumpet on each sitters 
arm.
The light is put on to find all six trumpets on various 
hands, all resting over the table [laughter].  Photos are taken and then
 the light is put off again - now sitters, each in turn, describe how 
their hands (with trumpets on) are being raised and put over their 
shoulders [more laughter].  “Is this all about healing?” asks Kath.  
“Yes.” says Dick.
Again the light is put on and photos taken. As the light goes off Tom tells us that his hand has been grabbed and his fingers shaken.
Again the light is put on and photos taken. As the light goes off Tom tells us that his hand has been grabbed and his fingers shaken.
All trumpets are now taken from sitters hands by Dick and placed one
 inside the other until we have on extra long trumpet made up of five 
(the sixth trumpet being on the floor).  This extra long trumpet is now 
above us conducting to the background music - moments later the trumpet 
moves over to me (Terry) and the inner trumpets are flicked out one by 
one by Dick.
The last trumpet is still hovering near my face, and
 moments later we hear air being blown down it, then we hear the muffled
 sound of a female voice (Mary) as if a word has been spoken.  I ask if 
they would repeat this as it was not clear, and again the same muffled 
sound - again I ask, but this time the word is clearer…’paper’.  “Are you wanting Paper and pencil?” I ask Mary - the trumpet nods a 
‘yes’.  The light is put on and the pencil and paper are brought in and 
placed on the table.  The paper is checked on both sides and then the 
light is put off again.  We then sit, and watch, and wait.  At one point
 we hear the paper being turned over to write on the other side - over 
two minutes thirty seconds later Mary puts the pencil down on the paper.
  We put on the light  and are allowed to read the message for Malcolm.
The message begins with “My beautiful first born, I really enjoyed your
 garden.”  the message continues with some very personal words which I 
will not repeat here, and the message ends with “Your ever loving Mother
 (Mary).”  Malcolm says a few words to his Mum and then the paper is put
 to one side for safe keeping until laminated later.  Moments 
later Dick communicates “Love you.” through the table.  “God Bless, love
 you too.” say sitters as Dick and Mary leave us.
Over the years we have had a rule that we must have a name of the 
communicator before they can request anything through the table - there 
are generally no exceptions to this rule, but our next communicator does
 not give a name, just asks for paper.  We ask again for a name, the 
reply is “Surprise for Mary.”  Kath asks if this has been Ok’d with Red 
Cloud - “Yes.” is the reply.  Our communicator obviously wants the 
surprise to be in the written format so we go along with the request and
 put some A4 paper on the table with the pencil.
“This is 
unbelievable.” says Mary as the pencil begins to write on the paper.  
“It’s happening more and more.” says Anne (referring to how many Spirit 
visitors now request pencil and paper to write with).  We sit and watch 
for nearly two minutes as our surprise visitor writes in the darkness, 
only the luminous tab on the stem of the pencil can we see as it moves 
around on the paper.  Our visitor finishes and places the pencil down on
 the paper - “May we look?” I ask.”  “Yes.” is the reply.
The 
message reads: “My lovely sister, I am so glad that you found this (the 
ability to communicate through a Physical Circle), Gilbert and I are 
very happy.  My children and Grandchildren…all beautiful.  I am around 
you a lot.  I will always love you, Margaret xx.”   Mary, obviously very
 emotional, thanked her sister for the beautiful message.  Mary also 
told us that she and Malcolm had been talking about Margaret in the car 
on their way here this evening, and that it was Margaret’s birthday the 
day before on 30th June.
“Love you.” says Margaret through the table.  “You’re always in our 
hearts.” says Malcolm.  “Bye.” says Margaret.  “God Bless.” say sitters 
as Margaret leaves us.
The next few moments were quite remarkable
 - we are quite used to some magnificent table phenomena, but our next 
communicator really takes the biscuit (so to speak).  The table moves 
across the circle to Doris and communicates, the name we get of course, 
is Freddie (Doris’ husband in Spirit).  No sooner had Freddie given us 
his name, when the table literally leaped out of the circle over Kath 
and Mary’s heads, it then instantly leaped back in again, all in one 
smooth movement - the energy required was unimaginable. 
“Good 
grief Doris!” says Kath (also in shock at what had just happened).  
Freddie then says to Doris “I watched you every minute (whilst Doris was
 in Austria having surgery), me and Rosie (Doris’ sister in Spirit) 
never left your side.”  “Oh thank you.” says Doris.  Freddie continues 
“Glad you are back in here (séance room).”  “Thank you darling.” says 
Doris as Freddie takes hold of her hand.
“Paper and pencil.” says
 Freddie.  The table rocks excitedly as the light is put on to bring in 
the A4 paper and pencil.  The light is turned off and again we sit and 
watch, as this time Freddie picks up the pencil and writes on the paper.
  Ninety seconds later Freddie puts down the pencil and we put on the 
light to look at what he has written - his message reads: “My beloved, I
 am so glad you are back, you are my life and that will never change.”  
next to this message was a heart and F/D xxx.
I call Freddie a romantic, and we laugh, but at the beauty of it 
all.  Moments later I remove the paper for safe keeping, Freddie then 
communicates through the table “Don’t overdo it.”  “Does she listen?” 
asks Kath.  “No.” says Freddie [laughter].   “I am listening, I am 
quite good.” says Doris.  We now hear Freddie gently slap Doris’ hand, 
and seconds later we hear him kiss her hand (Doris tells us this).
“Bye.” says Freddie.  “God Bless you, bye.” says Doris and sitters.
“Good evening William.” say sitters as he communicate his name through 
the table.  William (Alison’s Great Uncle in Spirit) normally asks for 
pencil and paper, so I ask “Shall I guess what you want?”  “Yes.” says 
William.  My guess is half right, William wants the pencil and paper, 
but this evening he also wants the black card and luminous chalk, at the
 same time as the pencil and paper.
The light is put on and I 
bring in one piece of A4 paper, one pencil, one piece of black A4 card 
and some luminous chalk and place them all on the table, which is 
rocking quite slowly at this point.  “It’s a joy that he comes every 
week, such a joy.” says Alison as William begins to write and chalk on 
the paper and card intermittently.  “What are you doing William?” asks 
Alison, who is as confused as the rest of us as to what William wants 
with card as well as paper.
Both the picture and the message are put safely away by me for laminating at end of sitting. “Thank you, it’s just a joke.” says Alison. “Yes (it is).” says William. William then says “Bye.” through the table. “God Bless you…a wicked sense of humour.” says Alison as William takes both her hands and shakes them before finally leaving us - “Thank you so much.” says Alison.
We welcome Red Cloud back to the circle - “Beautiful.” says Red Cloud. “Absolutely!” say sitters. “It’s lovely to have everything else, but it is also lovely to have this (an evening of healing).” says Kath. Doris then gives thanks to Spirit for all the love and healing that she received whilst in Austria.
All sitters then thank Red Cloud for this incredible evening filled with love, healing and humour - “There was an enormous energy of love here.” says Doris. “Yes (there was).” says Red Cloud. “I wish I could bottle it.” says Doris [laughter].
The circle was then closed with a Prayer by Doris.
Duration of sitting: One hour and thirteen minutes.
Terry Nelson.
--------------------------------------------------------- 
Below are various photographs taken during the sitting as phenomena occurred - some were taken with normal flash camera, and some were taken with red light and digi-camcorder (snapshot feature).
 
  
 Red Cloud puts the hoops over sitters and
Malcolm on right for healing purposes.
--------------------------------------
 The hoop rests on sitters hands - put
there by Red Cloud.
-------------------------------------
Red light photo of the hoop on sitters hands - the hoop
is a solid ring, but on this photo it looks like
the hoop has separated.
---------------------------------------------
There was only two hoops present, but on this
red light photo there looks to be several
over sitters body.
--------------------------------------
 Dick (Kath's Father in Spirit) puts the
trumpet down mary's back.
----------------------------------------
 Red light photo of the trumpet down Mary's back.
---------------------------------------
Alison
 on right is pulled over table by Dick - Alison
tells us that she could 
still feel Dick's grip on her
hand as this photo was being taken.
----------------------------------------
 Red light photo of the trumpet on Mary's hand.
----------------------------------------
Red light photo of the trumpet on Alison's hand
stretched across to Mary.
--------------------------------------
 Unknown Spirit faces come forward
in the red light energy.
----------------------------------
All sitters hands put inside trumpets by Dick.
--------------------------------------
Red light photo of all sitters hands inside
trumpets over table.
--------------------------------
 Energy captured on trumpet over table.
--------------------------------------
Dick puts sitters arms in this position over shoulders.
------------------------------------------
Again Dick puts their arms in this position.
-----------------------------------------
Red light photo of the trumpet over Anne's
shoulder - trumpet looks transparent in places.
------------------------------------------
















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