Kath Nelson.
Terry Nelson.
Tom Nelson.
Doris Forster.
Pam Allinson.
Alison Sherwood.
Anne Murray.
Annabelle Smith (Guest).
Philippa Slater (Guest).
All our sittings with our Spirit friends, although very exciting,
can also be very emotional. This particular evening family member
Annabelle Smith decided to sit although still deeply saddened and
shocked by the sudden loss of her brother Richard to the Spirit world
only a week previous. What transpired this evening, although very
emotional, was a testament to the Love and caring that comes forth from
the Spirit world on such an occasion.
For obvious reasons I asked
Annabelle if she would wish me to omit any reference to this very
personal information at such a time, but Annabelle, very bravely, wishes
the transcript to be intact - Thank you Annabelle x
There was on
occasion, various direct voice from ‘Mary’ (Kath’s Mum in Spirit) and
‘Millie’ (Annabelle’s Daughter in Spirit) this evening. All other
communication with Spirit was via the table.
The circle was
opened this evening with a Prayer by Pam, and as the Prayer is being
said the table is rocking excitedly - I say the word ‘excitedly’ because
this is the impression we get each time we sit…that like us, our Spirit
friends are excited when we meet.
Moments later the table is up in
the air…dancing above us, and as it dances we hear a hand tapping on the
table-top. As the table drops slowly to the floor it moves across the
circle to Annabelle, and then immediately back to the centre of the
circle.
“Good evening Red Cloud, welcome.” say sitters as Red Cloud comes to
the table. Red Cloud says “Sorry, last week…Wednesday.” “That’s fine,
I understood, it can’t be helped.” says Kath (Last Wednesday was
cancelled by Red Cloud due to Kath not being well). Red Cloud then says
“Annabelle, cry as much as you like in here, cleansing energy will do
you good.” Red Cloud then asked for the shamanic drum to be put on the
table.
As Tom puts on the red light the table begins to rock very
fast, and continues to do so until the drum is placed on it. The
beater is put on the drum and the light is put off, and immediately we
see the drum and beater lift up off the table. Red Cloud begins to tap
on the drum with a steady rhythmic beat; the drum then turns on its side
and slowly rises as the beat continues. The drum is then seen to move
across the circle over Annabelle and Kath’s heads and down onto the
spare table behind Annabelle.
Not once does the drumming stop as
Red Cloud lifts the drum back up off the table and back into the circle,
this time over Anne’s head. The drum drops slowly to the table and
comes to rest near Alison, half on the table and half on her hands. The
tone of the drumming changes now as Red Cloud starts to tap the side of
the drum as well as the top. The drum now moves across to Doris, and
from Doris to me (Terry), resting on our fingers momentarily as it
passes.
The beater is now up in the air away from the drum, creating wheels
of light as it spins round in circles. Moments later the drum and
beater move again, this time over to Philippa where the drum comes to
rest on her knee. We now hear (and see) the beater tapping on the drum
and on the table, alternating between the two - we then hear a hand (we
assume to be Red Cloud’s) slapping the drum quite loudly. The drum
moves again and comes to rest on Annabelle’s head, and Red Cloud is
beating the drum with the beater once more.
The drum is taken
from Annabelle’s head and is placed back on the circle table; the
drumming is very fast now - moments later, after over five minutes of
drumming, Red Cloud lays the beater on the drum. “Do you want me to
take it away?” I ask. “Yes.” says Red Cloud. The light is put on and
the drum and beater are removed from the table - “Bye.” says Red Cloud
as the light goes off again. “God Bless you Red Cloud.” say sitters as
Red cloud leaves us.
Our next communicator is Dick (Kath’s Father
in Spirit) - “Hiya Dad.” says Kath as the table begins to spin around
on one leg. When asked if he would like to say something, Dick says
“Six…” I interrupt with “Six trumpets?” “Yes.” says Dick. “Have you
got help?” asks Kath. “Yes.” says Dick. The light is put on and I
gather up all six trumpets and place them best I can on the table. As
the light is put off three trumpets are up straight away, they move
across the circle and come to rest on Anne’s knee. The other three
trumpets then lift up off the table and move across to Tom.
The circle table is now up in the air and moving out of the circle
between Annabelle and Kath; it comes to rest upside-down on the spare
table that is just behind Annabelle. Now that the table is out of the
way the six trumpets all move into the centre of the circle just above
the floor. In the next few moments Alison, Pam, Philippa and Annabelle
all have their hands, first of all tapped by, and then placed inside an
individual trumpet - “Can we have a look?” asks Kath as she puts a hand
on the table outside of the circle. “Yes.” says Dick.
We put on
the light to find a trumpet on Annabelle’s arm, attached to the trumpet
on Philippa’s arm (the thin end put inside the other thin end of the
trumpets) and Philippa stretched across the circle to Annabelle. We
find the same with Alison, her trumpet is attached to the trumpet on
Pam’s arm in the same manner. Photos are taken and then the light is
put off. Dick now does a quick change over - the trumpet on Annabelle’s
arm is taken off and put onto Kath’s arm and Philippa’s trumpet is
released from the end. Pam’s trumpet is taken away from Alison and then
Alison and Kath’s trumpets are then joined at the end.
We again
put on the light and take photos of this, and all the while the light is
on, the trumpets on Kath and Alison are being shaken by Dick - a noise
could be heard inside the trumpets whilst this was happening. As the
light goes off the trumpet on Kath’s hand is taken by Dick and put onto
Anne’s hand - “Oh, my word, his (Dick’s) hand is on the end of the
trumpet…squeezing it.” says Anne. “Gosh, very strong (grip).” says
Alison. Again the light is put on and photos taken of the trumpet on
Anne, joined to the trumpet on Alison’s hand.
The light goes off once more and immediately Dick takes the trumpet
from Anne’s hand and joins it to the trumpet on Alison’s hand, both
trumpets are then taken from Alison and joined to the end of the trumpet
on Philippa - three trumpets end to end now stretched across the circle
towards Annabelle - “Gosh, that hand is so strong.” says Annabelle as
her hand is now taken and put inside the end of the third trumpet that
is stretched across from Philippa.
On goes the light to find this
extra long trumpet attached to Philippa and Annabelle. Photos are
taken and then the light is put off, almost immediately we see a trumpet
up in the air spinning round in circles. Various sitters now tell us
they are getting tapped on the head with the trumpet. Moments later we
have two trumpets up in the air - one hovers over the table and the
other one hovers above Anne’s head, they then begin to twirl around in
the air and we have the ‘mirror image’ effect as one copies the other’s
movements.
We now see the ‘gyro’ effect as both trumpets come
together and begin to spin round in circles, inter-twining with each
other as they do so. Moments later both trumpets come to rest on Anne’s
arm and we hear the circle table moving behind Annabelle - within
seconds it is back in the circle between Annabelle and Kath. The two
trumpets on Anne’s lap are now up in the air over the table, first they
do ‘figure of eights’ in the air, then one trumpet drops to the table.
The other trumpet hovers somewhere between Philippa and Pam and moments
later we hear a female voice say ‘Hello’ down the trumpet. I say “Good
evening, welcome.” to whom we assume is Mary (Kath’s Mum in Spirit). We
then hear ‘Good evening’ down the trumpet - “Good evening.” say
sitters.
“Is this Mary?” I ask. “Yes.” is the reply with a nod of the
trumpet. We then hear ‘Annabelle’ spoken down the trumpet - this is
followed by “I promise he (Richard) is fine.” We then hear a very soft
slapping sound and Annabelle tells us that she has been tapped on her
back. Moments later something else is heard down the trumpet, but is
not clear enough to be made out, so I ask Mary if she would repeat this -
we then hear ‘Beautiful girls, Great-Granddaughters’ down the trumpet.
“Is that Annabelle’s (girls)?” asks Kath. “Yes.” is the reply with a nod of the trumpet.
“She has to look after the girls?” asks Kath. “Yes.” says Mary with a nod of the trumpet. Seconds later we hear a ‘kiss’ being blown, but not sure if it was in the air or down the trumpet. Immediately after this the trumpet is thrown into my lap. “Do you want rid of them (trumpets)?” asks Kath. “Yes.” is the reply through the table.
“She has to look after the girls?” asks Kath. “Yes.” says Mary with a nod of the trumpet. Seconds later we hear a ‘kiss’ being blown, but not sure if it was in the air or down the trumpet. Immediately after this the trumpet is thrown into my lap. “Do you want rid of them (trumpets)?” asks Kath. “Yes.” is the reply through the table.
The table now begins to rock as the light is put on to remove the
trumpets, the rocking gets faster the longer the light is on. As the
light goes off Dick says “Long whistle, drum, tambourine with string.” I
ask Dick if it is the drum with string (we don’t have a tambourine with
string on), “Yes.” says Dick. Again we put on the red light to bring
in the requested items, and as the light goes off the drum is
immediately picked from the table and is up in the air being spun round;
Dick is holding the string to do this.
Moments later the
tambourine is up in the air being shaken, and at the same time we hear
the long (six inch long) whistle being blown in the air somewhere above
the centre of the circle very loudly. The tambourine is then put on
Anne’s head and the whistle continues to make a loud shrill noise for a
few seconds more, then, the whistle can be seen slowly dropping to the
table.
Alison now tells us that the whistle has been put in her hand, and
we hear it being blown again whilst in Alison’s hand which is resting on
the table. Alison now tells us that she is being tapped on the
fingers, then her jumper is pulled slightly, then her arm is taken and
placed over her head [laughter]. The whistle, still in Alison’s hand
blows once more and at this point we ask if we may put on the red light
to look…’yes’ is the reply through the table.
We put on the light
to find Alison’s arm outstretched over the table with the whistle in
her hand. We also find the drum on Annabelle’s head, and the tambourine
on Anne’s head - photos are taken and then the light is put off.
Annabelle and Anne tell us that the drum and tambourine have been
removed by Dick; we see them slowly descend to the table. As I remove
them from the table Dick communicates ‘Bye’ through the table. “God
Bless Dick.” say sitters…”Bye Mum.” says Kath as Dick and Mary leave us.
Our next communicator on the table is young Millie (Annabelle’s
Daughter in Spirit), “Good evening Millie.” say sitters as the table
moves across the circle and comes to rest on Annabelle’s knee. We then
hear a sound and Annabelle tells us that her back is being rubbed and
then tapped (audible to all). As the table moves back to the centre of
the circle Millie asks for ‘trumpets’, “Two?” I ask. “Yes.” says
Millie. “Small ones (as opposed to megaphones)?” I ask. “Yes.” says
Millie.
Again we put on the light and again the table rocks until the
trumpets are placed upon it, and as the light is put off various sitters
comment on how ‘thick’ the atmosphere in the room seems to be now. The
trumpets are up above the table now, spinning, swirling and dancing
around just above our heads, again a comment is made, this time it is a
perfume smell in the room. Moments later, both Annabelle and Philippa’s
hands are taken hold of, and a trumpet is placed on each by Millie.
Millie then says “Another.” through the table. “Trumpet?” I ask.
“Yes.” says Millie. I reach behind me and pick up the nearest trumpet
to me, which is a large one (megaphone) and place it on the table.
Millie then picks up the large trumpet and we hear her say ‘Friends
forever’ down the trumpet - “Definitely.” says Philippa.
Millie then
says something else down the trumpet, but we cannot make it out.
Millie repeats it, but again we cannot make it out. Millie then says
(through the table) ‘Mum’, then says through the trumpet “Paper.”
“Can we have a look at what you have done with the trumpets first?”
asks Kath. “Yes.” says Millie. The light is put on and we find that
the trumpets on Annabelle and Philippa have been joined together in the
middle, but before we can photograph this Philippa moves and the
trumpets come apart. Whilst the light is on I bring in the paper and
pencil and place them on the table. The paper is checked on both sides
to prove that it is blank and then the light is put off. As Millie
begins to write on the paper a comment is made as regards all the lights
around the table from trumpets etc, but we can see no one over table
writing - amazing!
Millie has been writing for three minutes now, and as the pencil is
put down we think that she has finished…no, Millie asks for another
piece of paper, so I place another piece of A4 paper on the table and
Millie begins to write again - “Amazing.” says Pam. “You have to
believe it, because you’re seeing it.” says Philippa. Millie finally
puts down the pencil after over five minutes of writing - the longest we
have witnessed this phenomena yet. We put on the red light to look at what Millie has written - with Annabelle’s permission here are Millie’s words:
“Mum, I know I didn’t come to the earth plane, but I understand hurt. Dicky (Annabelle’s brother Richard) says give him a month and he will come (to circle). Also, put a flower in the garden for him. He said ‘I have not gone, I am all around you…I love you’. Dicky loves his socks, glad it wasn’t the holey ones lol. Grieve, but promise not to fall…we haven’t left you. Give my brothers and sisters a kiss from us, cherish them. Big big big hugs xxxxx.”
A beautiful message which we hope will give Annabelle some comfort - thank you Annabelle for allowing us to share it x
I put the two pieces of A4 paper to one side for safe keeping until I
can laminate them later. As the light goes off Annabelle asks “Can I
ask you two questions Millie?” “Yes.” says Millie. Annabelle then asks
Millie two personal questions which Millie answered as best she could -
Annabelle then says “Give him (Richard) a kiss from me.” Millie
answers with “Give him one.” “Annabelle has to give him one?” asks
Kath. “Yes.” says Millie. “Annabelle has to blow him one?” asks Kath.
“Yes.” says Millie.
Annabelle then blows a kiss - “Did you get that?” asks Kath. “Yes.”
says Millie. “Will you take it back for Richard?” asks Kath. “Yes.”
says Millie. Kath then says “An arm has just come across me.” “Yes,
he’s got my hand.” says Annabelle. We then hear a hand slapping the
table, then slapping Annabelle’s hand. “Thank you.” says Philippa as
her hand is now touched. Annabelle then says “What have you put in my
hand Millie?” Philippa then says “Oh, she’s put something in my hand
too.”
“Thank you.” says Annabelle. “Thank you sweetheart.” says
Philippa. Millie then says (through the table) “Presents.” “Can we
look?” asks Kath. “Yes.” says Millie.
We put on the light to find that Annabelle and Philippa have both received apports of Angel cards. Annabelle’s reads: Love converts hearts and brings peace. Philippa’s reads: As you listen, trust and follow your inner voice, your intuition will guide you. “Lovely.” says Philippa - “That’s amazing.” says Pam - “That’s so apt.” says Kath.
We put on the light to find that Annabelle and Philippa have both received apports of Angel cards. Annabelle’s reads: Love converts hearts and brings peace. Philippa’s reads: As you listen, trust and follow your inner voice, your intuition will guide you. “Lovely.” says Philippa - “That’s amazing.” says Pam - “That’s so apt.” says Kath.
I then ask “Millie, are these Angel cards ‘produced’ in the Spirit
world?” “Yes.” says Millie. “It’s not something that you have found
here then?” asks Pam. “No.” says Millie. “These came direct from the
Spirit world?” asks Pam. “Yes.” says Millie. “Are you materializing
them into our atmosphere?” asks Pam. “Yes.” says Millie. “Because the
meanings on them are apt for that particular person?” asks Kath. “Yes.”
says Millie.
Annabelle then asks Millie two more personal
questions, one of which was “Do you know what I used to call my
brother?” Millie answers ‘yes’ to both questions. Kath then says “I’ve
just had an arm go across my face again.” “I’ve got an arm on me.”
says Annabelle. “An arm as in ‘cuddling’ or just on you?” asks Kath.
“I am being hugged.” says Annabelle - Kath then puts her own arm over to
Annabelle to show her that it is not her doing the hugging.
We now hear three kisses being blown in the air - Annabelle tells us
that she has just been kissed on her arm. “Bye.” says Millie - “Bye,
God Bless.” say sitters. “Before you go, are you saving his (Richard’s)
nickname for a later date?” asks Kath. “Yes.” says Millie as she
leaves us.
Our next communicator to the table is Freddie (Doris’
husband in Spirit) - “Good evening Freddie.” say sitters as the table
moves across to Doris. “I can walk without a limp Freddie.” says Doris
as the table rocks excitedly. “Paper.” says Freddie. “Paper and
pencil?” I ask. “Yes.” says Freddie. “Doris is going to have her own
book before your finished.” says Kath to Freddie jokingly [laughter].
The light is put on and the paper and pencil brought in and placed on
the table. After checking the paper on both sides the light is put off
again.
As Freddie begins to write on the paper, I say jokingly
“We’re changing our name to ‘Rainbow Writers Association’.” “Or Rainbow
Publishing.” says Doris [laughter]. As Freddie continues to write
several sitters comment on the fact that they can see what looks like an
energy light stream above the pencil as Freddie writes - one sitter
describes it as an ‘aura’.
After about ninety seconds Freddie
puts the pencil down on the paper - “May we look?” I ask. “Yes.” says
Freddie. We put on the light and Freddie’s message is read out, the
message begins with some personal information for Doris, followed by
“Thank you Alison (Doris’ friend and fellow sitter), you are such a
trusted friend. Thank you so much.” and ends with ‘Love you xxxx’ for
Doris.
I ask if I should remove the pencil and paper…”No, leave
the pencil.” says Freddie. Freddie then says ‘Bye’. “Bye bye darling.”
says Doris. “God Bless, bye.” say sitters as Freddie leaves us.
As our next communicator comes to the table the pencil lifts up and
begins to spin around in mid-air - I ask for a name, and get ‘William’.
“Hello William (Alison’s Great Uncle).” says Alison. “Shall I pass you
some paper?” I ask William. “Yes.” says William [laughter]. Again I
allow sitters to check both sides of the A4 paper before placing it on
the table and turning off the light. For the next three minutes we sit
and watch as the pencil moves around on the paper in the darkness. When
William is finished I ask if we may look -”Yes.” says William.
William’s quite long message starts off very personal for Alison, and
ends with “Only the best for you. William and Charlie (Charlie is
Alison’s Dad).” Thank you very much.” says Alison.
William then says ‘Bye’ - “Bye God Bless, thanks for coming.” says Alison as William leaves us.
We welcome Red Cloud back to the table - Red Cloud has nothing to say,
but allows us one small question each. There were no questions, just
thanks from all sitters for a wonderful evening.
The circle was then closed with a Lovely Prayer by Doris.
Duration of sitting: One hour and nine minutes.
Terry Nelson.
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Below are various photographs taken during the sitting as phenomena occurred. Some were taken with normal flash camera, and some were taken with red light and digi-camcorder (snapshot feature).
Dick (Kath's Father in Spirit) puts a trumpet on
Annabelle and Philippa's hands then joins the ends
of the trumpets together.
-----------------------------------------
Red light photo of the joined ends of the trumpets
on Annabelle and Philippa.
---------------------------------------
Alison (Left) and Pam (off picture) have their
trumpets joined together by Dick.
-----------------------------------------
Pam's hand inside the blue trumpet that is
attached to Alison's.
-------------------------------------
Dick joins Kath and Alison together with the trumpets.
----------------------------------------
Tom
was taking a red light photo of the trumpets
on Alison and Kath, but
this is the photo that came
out - Red Cloud tells us that it is a Heart
shaped
energy ball for Annabelle from Richard.
-----------------------------------------
The blue trumpet is resting on Doris' chest - the
silver trumpet is on Anne's arm - put
in this position by Dick.
---------------------------------------
Red light photo of the trumpet on Doris' chest
attached to the trumpet on Anne's hand.
--------------------------------------
Red light photo of the end of the gold trumpet
that is visible on right side of photo with
Blue and silver trumpets.
----------------------------------------
Dick joins three trumpets together and attaches
them to Annabelle and Philippa.
--------------------------------
Red light photo of the silver trumpet end
of the three attached together.
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Dick puts the drum on Annabelle's head.
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Red light photo of the drum on Annabelle's head.
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Dick puts the tambourine on Anne's head.
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Red light photo of the tambourine on Anne's head.
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This photo taken just after Dick blows down the
whistle that is in Alison's hand.
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Red light photo of the whistle in Alison's hand.
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Trumpets on various sitters hands - put there by Dick.
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